The work of Portishead co-founder Geoff Barrow, this sharp-edged though slight debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single key story turn, but it leads to a comically executed chaotic run on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film releases in British and Irish theaters from November 17.
